A new documentary by Marq Evans looking into the famous Patterson-Gimlin Bigfoot film has finally uncovered real evidence that the film was faked. For years, researchers have speculated that the film was probably a hoax just based on probability. The argument goes something like this: if Bigfoot is a real animal running around in the California woods, somebody would have eventually gotten some footage better than Patterson-Gimlin, but no one ever has.
Now that's not exactly evidence, but it speaks more to a clever fake than a random wilderness encounter. Gimlin was interviewed years ago and confirmed that Patterson had basically led him to the site and told him to start filming as soon as they saw the creature, so it could have been set up without his knowledge. He added that for years he had been convinced the creature was real, but admitted in his old age that he was no longer entirely sure.
Bigfoot believers point out that the Patterson-Gimlin stands up to close analysis. You can magnify it and see what look like muscles moving under the skin. The proportions are all wrong for a human in a suit, with the ratio of arm length to height falling between that of the largest humans and apes. Special effects experts reviewed it when it first came out and concluded that it would have been incredibly expensive to fake if not impossible. The stabilized version of it that was created with digital technology still looks amazing and totally believable.
In the early 2000's a Discovery Channel program tried to make their own fake Bigfoot film using the current special effects of the time. It looked terrible. The Bigfoot was too skinny and the arms were too short. Even though the fur and so forth was well done, the final version still looked way faker than the Patterson-Gimlin. They had found a big person to put in the suit, but clearly said person was not big enough. The shorter arms also fell firmly into guy-in-a-gorilla-suit territory. Believers seized on the failure of this recreation as evidence that the original film was real.


















